(Reposted from an earlier post but still relevant).
People applaud Proctor and Gamble for their commercials “The Talk.” The television show Blackish devoted an entire program on “The Talk.”
What you should know about The Talk, is that parents from the majority culture in the United States, will not have The Talk with their children. So, those of you, who don’t know about The Talk, find out at the links above, after reading my article.
For me, The Talk also hits home when it comes to fiction writing. I often include what I call “The Fiction Talk,” extending it beyond the words on a page.
At my university, the students in the Graduate Fine Arts program are predominately white. Therefore, I find myself as the lone author in a writing workshop, for example, attempting to enlighten the students, who think The Talk in fiction, is off-putting or offensive. Attempting to explain, why I choose to demonstrate in some of my writing (depending on the character), why police, for example, profile African Americans. And although I am writing fiction, based on real life statistics, it contrasts their view of an “Officer-Friendly.”
What inspired me to also touch on this topic, is an article I read: Start Here: How to Get Your Book Published. There was a clever diagram in it, offering a snapshot of publishing categories, with a variety of sub-categories. The information promoted mainstream avenues. There was no mention of subcategories such as multiculturalism, urban fiction “dubbed street literature or gangster literature” fiction. Neither LGBT, or multigenerational for that matter, received a mention. Nothing wrong with that. There are authors who don’t want to be pigeon-holed. Book sellers do not classify my work under niche categories, but I have The Fiction Talk, like other authors, who do not feel compelled to shelve their work under niche categories, to have or not have, The Fiction Talk.
We live in a country divided by culture and race, despite some fiction authors claiming readers do not want to hear about it—claiming it does not exist. Much like the current White House Administration (Unnamed because I refuse to give them a voice) and their supporters. Writers expanding their words beyond mainstream ideals, must be more courageous and outspoken, keeping The Fiction Talk in the forefront. It is our right.
Publishing today can be a gamechanger, if you find the right avenue that works for you. Publishing is broader and includes more than adding self-publishing to the list. Given the additional sub-categories mentioned above, they do deserve a mention. Readers are very diverse, like writing, and reflect the society of today. There are some readers, who hunt for titles, listed under their niche interests. I know a Lesbian woman who says she purposely looks for books labeled under an LGBT category. There are commercial publishers interested in these types of fiction categories. Authors may opt to choose one because of the difficulty obtaining a mainstream publisher; they may want to proudly display culture, opposed to following the lead of publishers, wanting manuscripts that assimilate culture, rather than tout real-life diversity.
There are a variety of ways authors can represent The Fiction Talk, for readers hungry to understand what all The Talk is about. Wanting to learn how to be more tolerant, rather than jump to defend. As determined writers, it is our passion to inspire understanding. That is why the title of this blog is: How About We Continue the “Fiction Talk.” A statement, not a question.
In truth,
Amanishakhete
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